AP Seminars

A. Payment by check

Checks should be made payable to AP Seminars Silicon Valley

2625 Swanson Way

Mountain View, CA 94040

So that we can correctly match payments to registrations, all mailed payments should be accompanied the Invoice/Transmittal Form. This form is not a registration form and does not substitute for the participant having filled out the Online Registration Form.

B. Payment by credit card (VISA, MasterCard, Discover, or American Express).

Payment by credit card can be made in one of two ways:

1. Use the Payment of Fees Form. This is a secure (locked) online form. Identifying information should be for the teacher, not the district (we need to be able to match this form up with the registration form). Use Item #8 to provide any additional information (such as who to contact with questions, etc.). Please do not fill out the Online Registration form for this purpose.

In order for the data to be transmitted correctly, it is very important that VISA, MasterCard, and Discover numbers be formatted as follows: ####-####-####-####. American Express should be formatted as follows: ####-######-#####. The date should be formatted as follows: MM_YY (no slash between MM and YY!)

2. Fax a copy of the Invoice/Transmittal Form to AP Seminars at 650-967-7388. There is space on that form to enter credit card information.

C. Payment by PayPal

Use the PayPal button below. Since the PayPal submission will have the district identifying information on it, please follow up your payment by notifying AP Seminars of the teacher for whom the payment is being made. The easiest way to do this is by e-mail to apseminars@comcast.net

Questions?: Contact Duane Hinders at 650-964-3082 or at apseminars@comcast.net.

AP* Art History

AP Seminars Silicon Valley Summer Institute 2016

Agenda for Pedagogy, Content, and Organization in a flexible presentation

1. Introductions:

• Who are we and what do we hope to gain from this week?

• Reflections on the new course: What just hit me?

2. AP Courses: rigor, empowerment, and future success for our students—

• Equity and Access,

• Promoting your course

3. Assignment for Day 4: Deepening understanding of the Indigenous Americas

4. Overviews: The Curriculum Framework & the class

• Depth vs. Breadth—facilitating skills and deep understanding

•Big Ideas & Essential questions
•Learning Objectives—what students do

•3 kinds of analysis—Formal, Contextual, Comparative

•The Image Set:

• Essential Knowledge and Enduring Understanding

• The content areas & percentages

• Using works outside the list

5. Nuts and Bolts—How do I start the year?

6. The AP test:

• The AP Art History Reading

• What did students bomb?

• Goodbye to the legacy Test

• The test: MCQ’s, FRQ’s, long essays

• APAH Practice Exam & sample questions

• Analyzing and writing new MCQ’s

• Analyzing and writing new FRQ’s

7. Structuring the class: Strategies for success

• Connecting works with Themes

• Vocabulary, Note-taking, & Organizers

• Reading assignments, Flipping the classroom

• Unit Tests—MCQ, essay, identification

• Developing Writing skills

• Student Research—Teach methodology!

• Preparing students for the Exam:

• Review, Themes/works, essay topics, and Timelines

8. Powerful Teaching: Engaging Students with Exciting Pedagogy

• Designing & Projecting Powerful Presentations: PPT

• How to ask good questions—practice with a work you know.

• Making Art History fun: Projects to engage student interest.

• Best Practices

• Work on individual Presentations

9. Syllabus Design, Sample Syllabi & Pacing Guides

• Syllabus Design & approval

• Planning a daily scheme of work

• Pacing the Year: 3 guides

10. Resources for teachers and students

• Advances through AP* & Online Community

• College Board Materials

• Using Technology

• Bibliography & websites

• Video/DVD/You Tube

•The Art Store Data base

11. Choosing a text: What makes one text better than another?

--content, context, media and techniques

• Gardner’s Art Through The Ages

• Marilyn Stokstad’s Art (online)

• Gateways to Art

• Exploring Art: A Global Perspective

• Laurie Schneider Adams: Art Across Time

1 2. Making Museum Visits Valuable: Successful Visits & Prompts

13. Post AP* test: Ideas for fun and learning

14. Final Day Presentations

15: Summing up, Evaluations and Goodbyes

Description of AP English Language Workshop

This workshop is designed for AP English Language and Composition teachers and will focus on methods for teaching synthesis, argument, and analysis of texts and visuals. Participants will work individually and in groups with AP multiple choice questions, free response essays, rhetorical analysis and non-fiction texts. From the session, participants will be able to create or enhance an AP Language Syllabus. We will also discuss the relationship of our AP* course to AP English Literature. A major focus will the new College Board resources and recent changes to the AP English Language and Composition Exam.

Technology

If you have a computer or tablet, please bring it. Although having technology access in the classroom is not required, past participants have stated that it is helpful. You will have access to a computer lab, and our class will have one session in the lab for exploring electronic resources on a provided flash drive.

Please read and bring The Lost City of the Monkey God and two editorials by your favorite journalist.

Proposed Syllabus

DAY 1

• Goals of Workshop, Introduction of Participants

• Course and Exam Description Binder

Binder Components:

The Course Skills chart

The Course at a Glance page

A Unit at a Glance page

A walk through of the first unit

The “Teaching the Course Skills” section of the “Instructional Approaches” tab

The Exam information

• College Board Equity Policy

• Overview of AP English Language and Composition Exam

Past five prompts

• Changes to AP English Language and Composition Exam for 2019

• New Instructional Resources (Opening August 1)

• Strategies for Developing Critical Thinkers

• Multiple-Choice Strategies, Group Analysis of Question Types

• Close Reading Strategies

• Introduction to Analysis/Analysis Menu

• Say/Does Analysis

• Holistic Scoring, 2018 Question 2, Rhetorical Analysis

• UBD Lesson Planning (Model: “Tomatoland”)

(Complete Lesson Development in evening)

Day 2

• Sharing of Lesson Plans

• Discussion of Writing Assignments (Creative, On Demand, Analysis, Research)

• Composition Tips, Diagnostic Portfolio, New College Board Scoring Guide and AP composition expectations

• New Six-Point Rubric

• Lego Activity

• Complete Discussion of 2018 Question 2, Rhetorical Analysis

• Strategies for Teaching Satire/Horatian or Juvenalian

• Group Work: Analyze Rhetorical Devices in a JFK Speech

• Lab Assignment: Enhance Classroom Instruction (Selecting Lessons/Resources for Your Classroom

Day 3

• Sharing of Lab Assignment

• Holistic Scoring, 2018 Question 3, Argument

• Strategies for Teaching Argumentation (Sharing of Editorials)

• Research Strategies

• Personal Progress Checks (New Resource)

• Discussion of The Lost City of the Monkey God and The Library Book

• Discussion of Handling the Paper Load

• Fall Registration Overview

Day 4

• 2018 Question 1, Synthesis Holistic Scoring

• Strategies for Teaching Synthesis

• Visual Rhetoric Resources and Strategies

• Work on Creating a New Lesson or Revising Syllabus

• Reflections and Seminar Evaluation

Art and Design

David Tamori

dtamori530@hotmail.com

Currently, David is the Chair of the City of Oroville Arts Commission and President of the Artist of River Town. He is also a College Board* Advanced Placement® Art & Design workshop consultant/presenter and a Chief Reader/Scoring Leader/Reader for the Praxis Exams. He has been a Reader and Table Leader at the AP Scoring sessions, and he serves as a member of the University of California Cadre of Visual and Performing Arts Experts, Commission on Teacher Credentialing Bias Review Committee and The Commission of Accreditation Site Visitation Team and examining teacher presentation programs. He was a California Art Project Staff member. California Art Education Member and a past officer and National Art Education Association Member since 1974. He received the California Art Education Association Outstanding Secondary Educator in 1992, California Art Education Association Outstanding Visual Program award in 1996, and the National Art Education Association Pacific Region Secondary Art Educator Award in 1999. 2018-19 Butte County Office of education VAPA Coordinator and Region II Lead. 1973 to 2010: Oroville High School Art Teacher, VAPA Chair and Head Wrestling Coach. David's teaching assignments have been Art/ Art Appreciation, Art II/ Graphic Design, Advanced Art, AP® Art & Design and Adult School Ceramics/Sculpture. He has mentored over thirty-five teachers over the years. He has contributed to the standards developed and content for all of the current Art Teacher assessments: National Board Certification of Early Adolescence through Young Adulthood, PRAXIS, and CSET Exams. He served in the U.S. Army and on the U.S. Department of the Interior Junior Duck Stamp Curriculum committee and helped in introducing the fifth standard in California's VAPA framework.

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AP Seminars Silicon Valley Online, 2021

Art and Design

Day 1 Part 1: Understanding the Course Pg. 3 Workshop Handbook and Resources.

8:00-8:30 Zoom Activity A Welcome, Introductions.

• Media: Sketchbook, Markers, 9X12” Watercolor Paper, Masking Tape.

8:30-9:30 Learning Goals and Approaches, Activity B Using the Course Framework Pg. 7
9:30-10:00 Activity C What is a Sustained Investigation? Pg. 11
10:00-11:30 Continue with Activity C
11:30-12:30 Lunch
12:30-1:30 What are Selected Works? Activity D Pg.17
1:30- 3:30 Zoom Group: Communicating and Reflecting in groups (30 Minutes)

• Media: Several sheets of cardboard approximate size 9X12 to 12X18 , White glue, White Gesso, newspaper, paper towels, 2 sheets of 180lb watercolor paper 9X12, Flat Brush, Black Acrylic.
• Photo: 2 images on plain paper, 3-D: wire and tape.

Day 2 Understanding, Planning and Teaching the Course

8:00-10:00 Portfolio Overview

• Media: Sketchbook

• Part 2: Planning Your Course
• Part 3: Teaching the Course
• Activity E generating Possibilities for Investigation
ª Activity F Formulating Questions to Further Sustained Investigation

10:00-11:30 Activity G What are AP 2-D and Design, AP 3-D Art and Design, and AP Drawing?
11:30-12:30 Lunch
12:30-3:30 Activity H Setting Learning Milestones

Day 3 Part 3 Teaching the Course

8:00-10:00 Activity I Practicing, Experimenting, and Revising with Material, Processes, and Ideas

• Media: Sketchbook

10:00-11:30 Activity J Connecting Visual and Written Evidence
11:30-   12:30 Lunch
12:30-1:30 Activity K Skillful Synthesis of Materials, Processes, and Ideas
1:30-2:00 Activity L Striving for Equity and Access Using the Growth Mindset
2:00-3:30 Zoom Groups Communication and Reflecting

Day 4 Assessing Student understanding and progress

8:00-9:00 Activity M Formative and Summative Assessment

• Media: Sketchbook

9:00-10:00 Activity in Presenting Art and Design for interpretation
10:00-11:300 Inquiry and Making Set up Sustained Investigations.
11:30-12:30 Lunch
12:30-to 2:00 Activity O Scoring Portfolios
2:00-3:30 Activity P AP Course Audit and AP Resources. The course Audit, due until Fall of 2021

Day 5 Becoming a Member of the AP Community

8:00-10:30   Activity O Scoring Portfolios
10:30-11:30   Activity P AP Course Audit and AP Resources.
11:30-12:00   Art Show Communication and Reflection