AP Seminars

A. Payment by check

Checks should be made payable to AP Seminars Silicon Valley

2625 Swanson Way

Mountain View, CA 94040

So that we can correctly match payments to registrations, all mailed payments should be accompanied the Invoice/Transmittal Form. This form is not a registration form and does not substitute for the participant having filled out the Online Registration Form.

B. Payment by credit card (VISA, MasterCard, Discover, or American Express).

Payment by credit card can be made in one of two ways:

1. Use the Payment of Fees Form. This is a secure (locked) online form. Identifying information should be for the teacher, not the district (we need to be able to match this form up with the registration form). Use Item #8 to provide any additional information (such as who to contact with questions, etc.). Please do not fill out the Online Registration form for this purpose.

In order for the data to be transmitted correctly, it is very important that VISA, MasterCard, and Discover numbers be formatted as follows: ####-####-####-####. American Express should be formatted as follows: ####-######-#####. The date should be formatted as follows: MM_YY (no slash between MM and YY!)

2. Fax a copy of the Invoice/Transmittal Form to AP Seminars at 650-967-7388. There is space on that form to enter credit card information.

C. Payment by PayPal

Use the PayPal button below. Since the PayPal submission will have the district identifying information on it, please follow up your payment by notifying AP Seminars of the teacher for whom the payment is being made. The easiest way to do this is by e-mail to apseminars@comcast.net

Questions?: Contact Duane Hinders at 650-964-3082 or at apseminars@comcast.net.

AP* Art History

AP Seminars Silicon Valley Summer Institute 2016

Agenda for Pedagogy, Content, and Organization in a flexible presentation

1. Introductions:

• Who are we and what do we hope to gain from this week?

• Reflections on the new course: What just hit me?

2. AP Courses: rigor, empowerment, and future success for our students—

• Equity and Access,

• Promoting your course

3. Assignment for Day 4: Deepening understanding of the Indigenous Americas

4. Overviews: The Curriculum Framework & the class

• Depth vs. Breadth—facilitating skills and deep understanding

•Big Ideas & Essential questions
•Learning Objectives—what students do

•3 kinds of analysis—Formal, Contextual, Comparative

•The Image Set:

• Essential Knowledge and Enduring Understanding

• The content areas & percentages

• Using works outside the list

5. Nuts and Bolts—How do I start the year?

6. The AP test:

• The AP Art History Reading

• What did students bomb?

• Goodbye to the legacy Test

• The test: MCQ’s, FRQ’s, long essays

• APAH Practice Exam & sample questions

• Analyzing and writing new MCQ’s

• Analyzing and writing new FRQ’s

7. Structuring the class: Strategies for success

• Connecting works with Themes

• Vocabulary, Note-taking, & Organizers

• Reading assignments, Flipping the classroom

• Unit Tests—MCQ, essay, identification

• Developing Writing skills

• Student Research—Teach methodology!

• Preparing students for the Exam:

• Review, Themes/works, essay topics, and Timelines

8. Powerful Teaching: Engaging Students with Exciting Pedagogy

• Designing & Projecting Powerful Presentations: PPT

• How to ask good questions—practice with a work you know.

• Making Art History fun: Projects to engage student interest.

• Best Practices

• Work on individual Presentations

9. Syllabus Design, Sample Syllabi & Pacing Guides

• Syllabus Design & approval

• Planning a daily scheme of work

• Pacing the Year: 3 guides

10. Resources for teachers and students

• Advances through AP* & Online Community

• College Board Materials

• Using Technology

• Bibliography & websites

• Video/DVD/You Tube

•The Art Store Data base

11. Choosing a text: What makes one text better than another?

--content, context, media and techniques

• Gardner’s Art Through The Ages

• Marilyn Stokstad’s Art (online)

• Gateways to Art

• Exploring Art: A Global Perspective

• Laurie Schneider Adams: Art Across Time

1 2. Making Museum Visits Valuable: Successful Visits & Prompts

13. Post AP* test: Ideas for fun and learning

14. Final Day Presentations

15: Summing up, Evaluations and Goodbyes

WORLD HISTORY

Bill Zeigler

zeigler.apsi@gmail.com

2019 Agenda/Syllabus
World History

World History AP* is one of the most exciting courses, tasked with developing up-and-coming historians and world citizens. The course seems daunting – over 10,000 years in less than thirty-six weeks – but the focus on historical reasoning skills and historical processes make this intimidating task more manageable. It’s the Skills, not the memorization of countless facts.

During the week, we’ll discuss format, pace, class requirements, and day-to-day structures. In addition, we’ll work on the three major areas of concern in any social science class – reading, writing, and thinking – and the techniques that will help teachers meet students’ needs.

Many new structures have been added to the course within the last few years, requiring additional changes to the course and the way it is taught. We’ll be sure to cover all the new formats and begin a discussion over best practices for prepping and reviewing for the exam.

Finally, we’ll look at past World History AP* Exams, analyzing the multiple-choice and writing portions, to best organize our class and course around successful teaching and learning. And don’t worry…if you’re new to the course, you’ll be ready to teach it; and if you’re an “old-hand,” then you’ll be caught up with the changes. It’s a great course with tremendous possibilities…it just takes time!

Goals

• To familiarize participants with the unique perspective, habits of mind, and themes of a world history curriculum AND to develop a practical and functioning course syllabus

• To present world history content, allaying the fears of new world history teachers while enhancing the knowledge of veterans in a collegial environment

• To share instructional and time-management strategies for student and teacher success

• To explore text, visual, and internet resources that will boost any world history course

• To investigate the traits and techniques necessary for an Advanced Placement*course in world history through a thorough analysis of the AP* exam

Course Outline

• Each day will have the following elements: Course Development, Reasoning Skills, Historical Content, Teaching Resources, Historiography, and Sharing of Best Practices

• Participants will be encouraged to participate in focused discussions by analyzing academic articles, reading primary texts, and sharing best practices

• Laptops are encouraged, but not required

Day 1 – Course Introduction and Structure

Days 2 & 3 – Essay Writing and Text Analysis

Day 4 – Short Answer Questions and Multiple-Choice

Bill Zeigler lives in San Diego with his wife Marianne. He earned his BA in history from San Diego State University and MA in education with an emphasis in professional development in gifted education. He teaches history-social sciences and English at San Marcos High School. Bill currently serves as the Assistant to the Chief Reader for AP World History.

Bill has always had a keen interest in world history. He was a fellow of the Woodrow Wilson National Foundation at Princeton where he studied the “long nineteenth-century” and was awarded a two-year NEH fellowship to study India and China at Cal Poly Pomona. Bill has presented at the World History Association, National Council for the Social Studies, and the AP Annual Conference. He is a consultant for the College Board in World and US History, Social Studies, Vertical Teaming, and Interdisciplinary Strategies, with presentations in Heidelberg, Brasilia, Bangkok, Madrid, Seoul, Cairo, Manila, and Nairobi. Bill has served as a member of the program committee and the executive board of the World History Association.